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Fanny Brown in costume with American flag

Well into the mid-19th century, American theaters continued to be strongly influenced by London theater. Many actors and actresses of this period were born and got their professional start in England. Plays performed tended to follow the English classical tradition, with Shakespeare's plays and other standard English plays remaining popular. However, American-born playwrights and actors began to have an influence, and contemporary plays began to be performed regularly as well.

Prior to the 1850s, a theater bill might include five or six hours of various entertainments, such as farces, a mainpiece, an afterpiece, musical entertainment, and ballet. Music was an important component of early American theater, and plays were often adapted to included musical numbers. In the 1850s, the number of entertainments on a theater bill began to be reduced, first to two or three and, later, to one main feature only.

Acting styles in the early 19th century were prone to exaggerated movement, gestures, grandiose effects, spectacular drama, physical comedy and gags and outlandish costumes. However, from the mid-19th century, a more naturalistic acting style came into vogue, and actors were expected to present a more coherent expression of character. Subject matter of new plays was more often drawn from contemporary social life, such as marriage and domestic issues and issues of social class and social problems.

Another favorite form in 19th-century theater was the burlesque (also called travesty). The plays of Shakespeare, especially those in the regular repertory of the legitimate theaters, were a favorite target. Many actors were known primarily for their comedic and burlesque acting talents.

Joseph Jefferson, III, in the role of Rip Van Winkle

Along with plays and actors, America inherited the "star system" from Great Britain. Stock theater companies were established in large cities on the East Coast and in New Orleans. The cast was then supplemented by visiting theatrical stars, who toured the country for just such purpose. Stock companies were self-sufficient and mounted productions on their own when no star was visiting, but by the 1840s, so many stars were touring the United States that most companies were rarely without the services of at least one big-name actor or actress.

Stock companies usually had an actor-manager who was responsible for all details of business and production. Managers of these companies were quite powerful and their word was law in the company. The manager often made significant changes to a playwright's work, and the playwrights had no recourse to prevent this until the passing of the Dramatic copyright Act of 1833. Even then, the Copyright Act only covered printed plays.

Theatrical productions were rotated regularly, often daily. However, long runs of 100 or more continuous performances were not unusual and became common in the latter decades of the 19th century.

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Growing up, I was a very sensitive child. One of my earliest memories is of freaking out after seeing a particularly bad story on the news. I don’t remember what the story was about, but I do remember running to my bedroom, plugging my ears, and making up a song about how “everything will be all right.” I sang it as loudly as I could — to cover the noise of the TV — until my mom came in, shocked to find me in such a ramped-up state.

It wasn’t until much later in my life that I learned that I’m a Pleaser Womens Kiss 277 Sandals Black / Black d4t1Q0f
(HSP), and things finally made sense. Highly sensitive people process information deeply, and as a result, they experience the world a little differently than non-HSPs. Images of violence or stories of heartbreak can be excruciating to HSPs. Sudden loud noises, bright lights, and busy schedules have the power to rattle us profoundly.

Today, I’m a writer who studies introversion and high sensitivity. I’ve foundthat HSPs need somewhat different things in life than non-HSPs to be happy. Here are 14 of those things. Keep in mind that every highly sensitive person is an individual, so each will need slightly different things to thrive.

What Highly Sensitive People Need to Be Happy

1. A slower, simpler pace of life

Because they process information deeply, HSPs may move a little slower than non-HSPs. They may need more time to do certain tasks, like getting out of the house in the morning. They may take a little longer to make decisions, such as which item to buy at the grocery store, because they are taking in not just the mountain of choices, but also nutrition information, price, and how they feel about chicken noodle. Suddenly, their mind flashes to chickens being cooped up in tiny cages then slaughtered… and they must take a few beats to ponder if they can live with this reality on their dinner plate or not. All of this takes time.

2. Time to wind down after a busy day

Like introverts , HSPs can’t go-go-go for too long. Their extra sensitive nervous systems absorb mounds of information and process it to the umpteenth degree. As a result, they may get easily overwhelmed and worn out after a busy day. Time to relax lowers their stimulation level and restores their sanity.

3. A calm, quiet space to retreat to

Preferably #2 is paired with #3. This space, ideally, would have low lighting, little noise, a warm feeling, a beautiful look, and the HSP’s favorite tools to relax (a book, music, a comfy pillow, etc.).

4. Permission to get emotional and have a good cry

Not only are HSPs extra sensitive to environmental stimulation, they’re also sensitive emotionally. According to Dr. Elaine Aaron, author of The Highly Sensitive Person , sensitive people tend to cry more than non-HSPs. “Sensitive people can’t help but express what they’re feeling,” she told the Huffington Post . “They show their anger, they show their happiness. Appreciating that is really important.”

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